James Conaway
Photo by Peter Menzell
Photo by Peter Menzell
I’m a former Wallace Stegner writing fellow
at Stanford University and an Alicia Patterson
journalism fellow, and the author of three novels, The Big Easy, World’s End,
and the just-released Nose.
After I left Stanford I had a new
wife and a newer baby and badly needed a job. The Times-Picayune dangled one: general assignments reporter. I grabbed
it although I never took a journalism course and didn’t know New Orleans. I arrived alone right ahead of
Hurricane Betsy, drank too much Dixie beer the night before I was to report for
work, and woke up surrounded by downed trees and streets full of glass. I got
to the old Picayune building two
hours before anyone. When the city editor arrived he asked who I was and then,
because I was the only person available, told me, “Go out and write a story
about the effects of the storm on New
Orleans.”
It wasn’t a very good story but it was
printed on page one, with a byline, because no other reporters had showed up.
For the next two weeks I worked 14-hour days, learning more than I ever would
have in J-school, and thereby became indentured to a great profession that
would later inspire and inform my fiction.
I’m also the author of nine books of
nonfiction including the best-selling, Napa: The Story of an American Eden.
Frank Prial writing in the New York Times
said I was "a reporter with a Saroyan-like sense of humor and a
Balzac-like eye for detail," which made me very happy. That book has been
in print continually since 1990 and people still tell me they enjoy and learn
from it.
Napa’s
sequel appeared in 2002. The Far Side of
Eden: Old Land, New Money and the Battle for Napa Valley was a Washington Post Best Book of the Year and described in
the New York Times Book Review as
"an important story, emblematic of our time."
My other books include the memoir, Memphis Afternoons, about growing up in Memphis in the Fifties,
and The Kingdom in the Country. It’s
a personal journey through the public lands of the American West described by
Wallace Stegner as "a very lively book... He got into places and
activities that most westerners never even get close to," and by novelist Jim
Harrison as "a wonderful and well-considered evocation of the New
West."
Of my history of the Smithsonian
Institution, Evan S. Connell wrote, "Nobody will attempt to one-up Conaway
for a long time because he, like his subject, has gathered all things
relevant." I’m also the author of America's Library: A History of the Library of
Congress, 1800-2000, published by Yale University Press.
For four
years I was the editor of Preservation,
the magazine of the National Trust for Historic Preservation, and I took up oil painting around that
time, some of it inspired by travel. Those paintings reflected landscapes,
structures, and artifacts affected by accelerated change, what had developed as
an on-going theme in my writing. One series was inspired by photographs of
western landscapes I took from the windows of airplanes, done in both the
conventional manner and by moving paint on the canvas to capture the mystery of
land viewed from 35,000 feet.
Painting
was another way to reflect the land and the rapidly altering face of our
natural and cultural worlds.
My next book, Vanishing
America: In Search of Our Elusive Landscapes, was a collection of travel essays about lost culture and
landscape. Lehrer wrote that it represented my “journalistic and insightful
best,” and I agree. Writer Tracy Kidder kindly described it as “an enthralling,
lovely tribute to a lot of what is precious in America.”
My
new novel, Nose, from Thomas Dunne
Books (St. Martin’s Press), is about the winegrowing culture of northern California and described
by the publisher as “Bonfire of the Vanities meets Sideways.” Jim Lehrer calls
it “the
novel for all seasons—and readers... a love(s) story, an under-all-the-soil
good and evil saga plus a marvelous tour through and about the world of
winemaking. And Jim Conaway’s prose is as gorgeous as some of the Northern California scenes he describes.”
I’ve written for lots of magazines over
the years, including The New York Times
Magazine, Atlantic, Harper’s, The New
Republic, Gourmet,
Smithsonian and Nat Geographic
Traveler. I won first place in a North American Travel Writers
Association competition for my series, “Walk into America,” that appeared in Traveler, and I’ve taught creative
non-fiction at the University of
Pittsburgh and at Johns Hopkins and George Mason universities.
I still
contribute tor Geographic’s travel
blog, Intelligent Travel, as well as
my own cjonwine.blogspot.com. I’m working on a prequel to Nose, about the explosion in the
popularity of previously little-known California wine, the beautiful countryside
of northern California that produces it, and the rise of a young British
critic, Clyde Craven-Jones.
Meanwhile
my wife, Penny, a caterer, and I divide our time between Washington, D.C., and
the foothills of the Blue Ridge Mountains of Virginia, with frequent trips to
California. Our mutual hobbies are cooking, travel (our children live in the
Midwest and on the West Coast), hiking, and some fly fishing.
________________________________________________________________________________________________
From Jeff Schechtman's radio show, "Specific Gravity"
_____________________________________________________________________________
Craven-Jones is just one character in the besotted rogue's gallery that populates the California subculture Mr. Conaway dubs "Enotopia." Other figures include the downsized journalist turned muckraking wine blogger Les Breeden; the feuding Hutt family, which owns the high-end label Copernicus and is struggling to stay afloat; the iconoclastic Cotton Harrell, an innovator of organic viniculture; and a host of noisily opinionated amateur wine connoisseurs (in any other setting they'd be called drunks).
The lively plot concerns the search for the maker of an unmarked bottle of Cabernet to which Craven-Jones has awarded the highest possible score. But the mystery is a genial MacGuffin. Mr. Conaway's real interest is in giving a loving, lightly critical portrayal of a region where wine has grown from a local passion to a cutthroat big business. "God, what an incestuous world it had become, and what a wonderful one," Craven-Jones thinks at a soirée for Copernicus's annual grape harvest. "Twenty years ago there would have been real farmers here, ruddy-faced men not in tuxedos but in lumpy jackets and their friendly wives enjoying a party, companionable and full of advice for newcomers. Today, the burnished complexions all belonged to golfers and mountain scramblers."
To borrow from the wine critics, "Nose" offers a burst of hearty comic notes and finishes with a lingering penumbra of bittersweet nostalgia.
On-demand new editions of The Big Easy and Memphis Afternoons will also soon be available.
________________________________________________________________________________________________
From Jeff Schechtman's radio show, "Specific Gravity"
Fiction Chronicle: A Consummately Pleasing Taste of Napa
A lively satire of California's "Enotopia" and the local passion that has become big business.
By SAM SACKS in the Wall Street Journal
Set in Northern California, James Conaway's "Nose" (Thomas Dunne, 326 pages, $24.99) introduces the transplanted British wine critic Clyde Craven-Jones, whose magazine, "Craven-Jones on Wine," has the power to make or break "reputations, vintages, business deals, marriages, even lives." Imperious and obese, he sees himself "as the rightful successor to noblemen of old, preserving that most august expression of culture against the onslaught of the vine louse and the wine blogger." His olfactory sense is so keen that an uncapped magic marker can irreparably disturb a tasting.Craven-Jones is just one character in the besotted rogue's gallery that populates the California subculture Mr. Conaway dubs "Enotopia." Other figures include the downsized journalist turned muckraking wine blogger Les Breeden; the feuding Hutt family, which owns the high-end label Copernicus and is struggling to stay afloat; the iconoclastic Cotton Harrell, an innovator of organic viniculture; and a host of noisily opinionated amateur wine connoisseurs (in any other setting they'd be called drunks).
The lively plot concerns the search for the maker of an unmarked bottle of Cabernet to which Craven-Jones has awarded the highest possible score. But the mystery is a genial MacGuffin. Mr. Conaway's real interest is in giving a loving, lightly critical portrayal of a region where wine has grown from a local passion to a cutthroat big business. "God, what an incestuous world it had become, and what a wonderful one," Craven-Jones thinks at a soirée for Copernicus's annual grape harvest. "Twenty years ago there would have been real farmers here, ruddy-faced men not in tuxedos but in lumpy jackets and their friendly wives enjoying a party, companionable and full of advice for newcomers. Today, the burnished complexions all belonged to golfers and mountain scramblers."
To borrow from the wine critics, "Nose" offers a burst of hearty comic notes and finishes with a lingering penumbra of bittersweet nostalgia.
To order my latest novel, Nose,
click on:
My first novel, The Big Easy (Houghton Mifflin) is available now in ebook form, as is my memoir, Memphis Afternoons (Houghton). Very soon my travelogue about the American west, The Kingdom in the Country, and my second novel, World's End (William Morrow), will also be available. Go now to: http://www.fearlessbooks.com/Conaway.htm On-demand new editions of The Big Easy and Memphis Afternoons will also soon be available.
This comment has been removed by a blog administrator.
ReplyDeleteHey Jim-
ReplyDeleteGreat to meet you at WBC! Thanks for signing my Napa book.
I have the audio of your speech but no email to send a link.
Please send it to me at marikane (at) marikane.com
best,
Mari
Hello Jim,
ReplyDeleteWe met at Rams Gate signing.
I have a small winery in Pt. Reyes Sta.
I am reading "Nose" with much enthusiasm.
Would it be possible to get a dozen copies of your book, signed
for our tasting room? Also for my employees?
Thanks,
Steve Doughty
prvwine@joimail.com
Good morning James,
ReplyDeletewe met at the #WBC13 in Penticton... just read your first chapter of "Terroir"; brilliant work sir. When you're in BC next, I'ld love the chance to share a glass or three of grapejuice and talk shop...
yours sincerely,
Kristof Gillese
Kristof@TheChefandTheGrape.com
Great read thaank you
ReplyDelete